32. THE CAROLINES HIJACKED AND FEAR OF REVOLUTION

It was a cold and fairly somber Sunday when I got out of bed on March 3^rd 1968. As always the first thing I did was switch on the radio. But all remained silent. Caroline was not there! It was only when I got downstairs and tried Caroline North on the big Saba receiver and found that her frequency too remained completely quiet, that a feeling of forboding set in. The next day my fearful apprehension was confirmed by the newspapers. In the early hours of Sunday both the Caroline and the Mi Amigo had been boarded by Dutch seamen in the pay of the suppliers Wijsmuller and towed to the Netherlands because of outstanding debts.

As a matter of principle I did not turn to Radio 1 for my music fix. In the months to come it was Radio Veronica that brought some solace, and sometimes also Radio Kuwait on shortwave. Few people remember this, but for a time Kuwait, with a stable and strong signal, was one of the best pop stations around. Truth be told, I had less time for music in those days, because my exams were drawing near...

In the wider world too it was a troublesome period. It began in May 1968 with a student revolt in Paris which turned into a general strike involving millions of workers and the worst rioting for decades. President Charles de Gaulle resorted to brutal police force to counter this attempt at revolution which immobilised most of France.

Subsequently also students in Belgium, especially in university cities like Ghent and Louvain, took to the streets. Suddenly that brought two plain clothes members of the secret police to my house. I was upstairs studying and unaware of the fact that these men threatened my mother not to let me join the protests, or “worse would follow”. The then Belgian prime minister Gaston Eyskens had just formed a coalition government with the help of the Christian Democrats (CVP) and the Socialists (BSP), two parties that had lost seats during the elections in March '68. Eyskens feared that if the protests continued they would bring down the government and revolution would ensue... With hindsight, it wàs the year that the Beatles brought out their hit “Revolution”, not that the Belgian prime minister would have been aware of that.

In the Netherlands all remained calm during the disruptive May days of 1968. It has been said that this was partly due to the existence of Radio Veronica. The station went some way in making the country a happier place and functioned as a valve to diffuse any pent up tension among students and workers alike.   

30. FRESH PAINT AND AN ABUNDANCE OF CAROLINES

Very much like Marcel Proust's 'madeleine moment' it was the smell of fresh paint at a friend's house that today brought another personal highlight from the offshore days back to mind... I remembered that there was a time when three Radio Carolines were on the air. At that crucial occasion it so happens that I had to spend a few nights in the spare room. My own bedroom was being repainted, by my dad and myself. In fact the smell of paint permeated much of the house.

Months before the threat of anti-pirate legislation doomed, it was mostly the power of water and winds the wireless buccaneers off Britain's coast had to contend with... So during a massive storm late on January 19th 1966 the MV Mi Amigo, home of Radio Caroline South started drifting and subsequently ran aground on the snow-covered beach at Holland Haven (Frinton-on-Sea). At the crack of dawn radios remained silent as transmissions had ceased when the ship entered British waters. After failed attempts by the tugboat Titan, the Mi Amigo refloated herself at high tide by winding on the repositioned anchor. Upon inspection it proved that the hull was damaged and the vessel was towed to Zaandam in the Netherlands for repairs in dry dock.

In those days -not to be unfaithful- I did my best to regularly tune in to Radio Caroline North off the Isle of Man. But then suddenly Caroline South was back, but from a different ship. Mrs Britt Wadner (1915-1987), the blonde 'Queen of pirate radio', had offered Ronan the use of her Swedish Radio Syd* ship 'Cheetah 2”. The vessel having been driven from its usual anchorage in the Baltic by pack ice.

Much technical wizardry and many dead-airs later the programmes of Caroline South resumed on 199 m from the Cheetah on February 13^th 1966, be it at fairly low power. Then on April 5^th the Mi Amigo appeared alongside the Swedish vessel after repairs and a refit had been finalized. It was time for the fun to kick off.

The idea was that the Cheetah would relay the programmes on 199 m from the Mi Amigo which was now broadcasting on an announced 259m (253 in fact) with 50 kWatts of power. That did happen, but for a time also separate programmes were aired, resulting in two Caroline Souths, and off course, in the Irish sea, there still was Caroline North. What is more, a lot of on air banter was at times going on between both South ships. Evenings for me in the spare room, my paint-free refuge, were full of laughter during the link-ups between the vessels. I remember listening to Dave Lee Travis and Graham Webb on the Cheetah and Tony Blackburn with Norman St.John on the Mi Amigo. The fun wasn't to last though. On May 1st Britt sailed her radioship to Spain and later on to The Gambia, where she obtained a broadcasting license. And in our neck of the woods Caroline South sounded as loud as Big L. It's an ill wind...

* Syd means South and is pronounced more or less like Sud in French.

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15. MID-ATLANTIC

A month and a half later, immediately after Caroline signed off at 6 p.m., I heard Radio Atlanta go on the air from the Mi Amigo. She too had been equip­ped at Greenore. The vessel had anchored off Frinton-on-Sea and used the same frequency as Caroline, introducing herself as the “ship that rocks the ocean”. To me it felt as if my Christmases had all come at once. For the first time in my life there was an abundance of pop music available at the flick of a switch; sheer luxury. No wonder that whenever the sun was out beach-goers had their transistors blaring up and down the East-Anglian coast. On the Belgian beaches it was no different.

I remember Bob Scott, one of the initial dj’s on the Mi Amigo, announcing between records ‘You are tuned to Radio Atlan(t)a. This is a test format’. The station’s name was often pronoun­ced without the second ‘t’ by some of the Americans on board. Testing on Caroline’s wavelength after it had gone off the air in the early evening, meant that the newcomer could advertise its presence to a ready-made audience. Regular programmes began on May 12th 1964 using 1493 kHz, 201m, the old Uilenspiegel haunt. In the early days transmissions were between 6 a.m. and 6 p.m., but were soon extended to 8 p.m. 

The programmes sounded very mid-Atlantic and a number of maritime-related slogans were used. The dj’s referred to the station as ‘the most on the coast’ and a rather corny sounding ‘the music queen of the seven seas’. The music on Radio Atlanta was distinctly different. Probably because the station's boss, Alan Crawford, gave ample air-time to many cover versions by little-known artists on his Cannon and Sabre labels. Indeed he was no stranger to recreating the hits. Crawford even produced a cover of the famous Fortunes hit ‘Caroline’.

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