30. FRESH PAINT AND AN ABUNDANCE OF CAROLINES

Very much like Marcel Proust's 'madeleine moment' it was the smell of fresh paint at a friend's house that today brought another personal highlight from the offshore days back to mind... I remembered that there was a time when three Radio Carolines were on the air. At that crucial occasion it so happens that I had to spend a few nights in the spare room. My own bedroom was being repainted, by my dad and myself. In fact the smell of paint permeated much of the house.

Months before the threat of anti-pirate legislation doomed, it was mostly the power of water and winds the wireless buccaneers off Britain's coast had to contend with... So during a massive storm late on January 19th 1966 the MV Mi Amigo, home of Radio Caroline South started drifting and subsequently ran aground on the snow-covered beach at Holland Haven (Frinton-on-Sea). At the crack of dawn radios remained silent as transmissions had ceased when the ship entered British waters. After failed attempts by the tugboat Titan, the Mi Amigo refloated herself at high tide by winding on the repositioned anchor. Upon inspection it proved that the hull was damaged and the vessel was towed to Zaandam in the Netherlands for repairs in dry dock.

In those days -not to be unfaithful- I did my best to regularly tune in to Radio Caroline North off the Isle of Man. But then suddenly Caroline South was back, but from a different ship. Mrs Britt Wadner (1915-1987), the blonde 'Queen of pirate radio', had offered Ronan the use of her Swedish Radio Syd* ship 'Cheetah 2”. The vessel having been driven from its usual anchorage in the Baltic by pack ice.

Much technical wizardry and many dead-airs later the programmes of Caroline South resumed on 199 m from the Cheetah on February 13^th 1966, be it at fairly low power. Then on April 5^th the Mi Amigo appeared alongside the Swedish vessel after repairs and a refit had been finalized. It was time for the fun to kick off.

The idea was that the Cheetah would relay the programmes on 199 m from the Mi Amigo which was now broadcasting on an announced 259m (253 in fact) with 50 kWatts of power. That did happen, but for a time also separate programmes were aired, resulting in two Caroline Souths, and off course, in the Irish sea, there still was Caroline North. What is more, a lot of on air banter was at times going on between both South ships. Evenings for me in the spare room, my paint-free refuge, were full of laughter during the link-ups between the vessels. I remember listening to Dave Lee Travis and Graham Webb on the Cheetah and Tony Blackburn with Norman St.John on the Mi Amigo. The fun wasn't to last though. On May 1st Britt sailed her radioship to Spain and later on to The Gambia, where she obtained a broadcasting license. And in our neck of the woods Caroline South sounded as loud as Big L. It's an ill wind...

* Syd means South and is pronounced more or less like Sud in French.

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29. A RADIO IN EACH EAR

Musicwise 1967 stands out in my mind as the year the Beatles' iconic album “Sgt. Pepper's Lonely Hearts Club Band” was released. There was a rush among the students at university, myself included, to get a tape copy of the album to coax us more or less gently through study time leading up to the exams... Luckily by that time I was the proud owner of a sturdy Grundig tape recorder.

During the Summer of 1967, -the so called Summer of 'Love'- when the US was rocked by race riots, also the end was in sight for most of the British offshore stations. I took a job to help pay for my studies, working for two months at the Sportland Lunapark on the seafront in Blankenberge. At the time many British holiday makers flocked to the popular Belgian seaside resort and were regulars at the games hall. Among them one of the sons of Spike Milligan. I also made the acquaintance of quite a few Southwalians like Nigel Jones from Barry Island and Michael Hibbs (photo) who lived at Treherbert in the Rhondda. For any Flemish readers of this blog I can further add that also the famous revue artist Charles Janssens (1906-1986) religiously played a few games at Sportland after finishing his performance at Blankenberge's well known Wit Paard.

At the games arcade I had opted for the late shift which meant I was working from 5 in the afternoon until about 3 at night. As a result I had most of the day to go to the beach and tune in to the 'pirates'. Cycling home at night I used to carry two small transistor radios in my pocket, listening to Caroline in one ear and to Big L in the other.

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28. THE WRITING IS ON THE WALL FOR THE PIRATES

Already in late 1966 the writing was on the wall for the radio stations off Britain's coast. The government of Harold Wilson, egged on by Post Master General Tony Ben, was determined to bring in legislation to make it illegal for British citizens or companies to supply the pirates, work for them or advertise on the stations.

On January 1^st 1967 there was a bit of good news for a change. As announced earlier by Caroline on New Year's Eve, Radio 390 returned to the airwaves. I remember, the next day, writing a letter to Prince Charles protesting against the British government's actions to sink the pirates.. “Why not”, I thought “the crown prince is a paid-up member of the Big L club and has a Radio London T-shirt...” After a few months I got a reply from the Home Office with the usual lies.

The imminent demise of the offshore stations was not the only problem at the time. I also had to try and commit professor Hesman's German “Kulturgeschichte” to memory. I found that this was best done with the deep brown voice of Jim Reeves in the background. Luckily both Radio 390 and Radio 355 (former Britain Radio) now had a Jim Reeves Show on Sundays. The reason being that after a boardroom battle station manager Ted Allbeury left 390 and went on to run Radio 355, taking most of his middle-of-the-road programming ideas with him and some of the dj's. Theodore Edward le Bouthillier (Ted) Allbeury (1917-2005) had been a real-life spy during the Second World War, decades before he got involved with radio and then started writing best-selling novels.

Not only Britain Radio had changed name... As it proved unsuccessful Swinging Radio England went Dutch and turned into easy going Radio Dolfijn and still later into Radio 227. It was hard to keep up with the changes. Later more upset as one by one the fort based stations fell by the wayside and my exams doomed...

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26. LAST TIN OF TUNA, IN LONDON ENGLAND

Shortly after the former US minesweeper Density (renamed Galaxy) arrived off the coast of Frinton-on-Sea (Essex) in the second half of December 1964 listeners -like myself- immediately were charmed by one of the most successful American jingle packages. It was created by Pams of Dallas and consisted mainly of the so-called series 18 “Sonosational”. The initial jingle repertoire had been further enhanced by scores of clever edits. It was Radio London's early programme director Ben Toney, a Texan, who had overseen the production of Pams Radio London jingles.

In the 50's and early 60's US stations had developed a tradition of using a superlative connected with a station name, like “Colourful KQV” and “The Mighty 690”. Jingle beds had been composed to allow for such superlatives. That's the reason why Radio London became “Wonderful Radio London”. The station was also referred to as “Big L”. A lesson learnt when years later we were managing local station Radio Dynamo in Knokke-Heist (Belgium) and called it “De Grote Dee” (The Big D).

Creating Radio London's jingle package to a large extent meant adapting jingles that had been made for other stations in the States. That is why unexpectedly also a jingle in Spanish was lurking in the series: “Esta es la estación número uno en London England es mi favorita. Wonderful Radio London, Olé!”. (6th jingle) This caused some confusion. Because the jingles were so fast and slick not everyone could easily understand some of the lyrics, especially when they were suddenly confronted with a foreign language. Hence it is no surprise that 10 year old John Bennett was completely baffled by Big L's 'Spanish jingle'. It resulted in a beautiful piece of mondegreen. John thought he heard “It's the last tin of tuna in London England, see the ballerina. Wonderful Radio London. Olé”.

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24. WONDERFUL RADIO LONDON EVEN IN CHURCH

In the second half of 1964 more fortbased stations took to the air along the British east coast. In the Thames Estuary Radio City (ex Radio Sutch), Radio Invicta (later rebranded as KING and subsequently as the legendary Radio 390), started broadcasting from derelict World War II forts. Then arrived the heavyweight.

With many offshore stations already on the air Wonderful Radio London came late to the party. But when Big L started transmissions on 266, just before Christmas 1964, the station sounded so much better than Caroline and the other broadcasters. Especially the jingles made the station come across slick and professional. Also, from the start ‘Big L’ offered a very strong signal. One could hear it everywhere. And that was literally true.

In those days -although I was 17 and an outspoken atheist- my mother still forced me to attend church on Sunday. For a long time I had been most unwilling to do so, especially since my parents stopped going to church years before. To survive an hour’s worth of tedious boredom I usually took some Franz Kafka (my favourite author), disguised as a prayer book. With the advent of Radio London attending mass became less of an ordeal however.

It so happens that the new PA-system in the church at Zeebrugge was not properly grounded. Apart from producing a hum, the whole system also conducted itself as a very crude receiver. The result was that when sitting next to any of the loudspeakers in the church one could hear Radio London in the background. As the priest only made sparing use of the microphone, Big L’s programme could be enjoyed almost without interruption. This sort of gave a whole new meaning to “Go to the church of your choice”, one of the Pams-jingles that Radio London used from time to time over the weekend.

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